‘Blonde’ review: less a Marilyn Monroe biopic, more an effective psychological horror

When director Andrew Dominik claimed that Blonde, his hallucinatory hall-of-mirrors biographical film of Marilyn Monroe, would “offend everybody”, it wasn’t an understatement. No movie this year has been more dissected or proved as divisive. Some have chided Blonde – which is based on Joyce Carol Oates’ historical fiction novel aboutContinue Reading